Posted by on December 15, 2018 in General |

The workmanship represents and express originalidade, expression and beauty. The figure of the gaucho already is part of the landscape, combining itself it, therefore, according to Hegel, it is impossible to make a statue or one group and, with more reason, a relief, without taking in consideration the place that the workmanship will have to occupy. We do not start for carrying through a work of art, to look after that the small farm where it will be placed, but cannot nor must be conceived seno in its future relations with a certain exterior environment, its disposal and its space form. To this respect, a permanent bow between the sculpture and the spaces exists The composition of the monumental workmanship shows the structural and intellectual elements in harmonic way, constructed throughout the life it artist through the lived experience, of the permanent search for the improvement of the technique and it knowledge acquired through very study. Beyond ' ' The Laador' ' , several other workmanships executed for Caringi can be detached: the eqestre statue of General Bento Gonalves Da Silva, in Porto Alegre, riding in march, discloses the formation that Caringi received from its masters German, the Monument to the Immigrant, in Caxias of the South; Sentry Farroupilha, in Pellets; Loureiro Da Silva, in Porto Alegre and some grave-monuments, as of Daltro the Son, Maurcio Cardoso and Aparcio de Almeida, all in Porto Alegre. ' ' At a time where the Cubismo was the expression in the Europe, Caringi did not search forms strange, but it offered simplicity for the idealismo, the sincerity for the faithful representation, looking for always the register of realidade' '. It is observed that the force of expression, the rhythm, the movement and the harmony of the elements are part of the set of the workmanships of Antonio Caringi. Walked of Fernando the Reviver Corona the trajectory of the Spaniard Fernando Corona, bringing to the surface the contribution that it gave to the plastic arts in the Rio Grande Do Sul, is the objective of this study.


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